Time-Lapse Dried Orchid

These dried orchids were too beautiful to throw away without capturing their beautiful forms.  This is a quick watercolour sketch that took about 13 minutes.  To really study the intricacies I’d really need to spend a few hours.

I’m using Khadi handmade watercolour paper A4 size, that is heavy weight with an uneven rough texture.  Daniel Smith watercolours and lots of water, make this super fun.  My favourite part is the end where I just add water and let all the pigment disperse however it wants.

Time-Lapse Koi

Watercolour can paint itself with the right tools.

For this painting I used heavy weight, rough Khadi watercolour paper, Daniel Smith watercolours and lots of water.

As long as your paper is sized, the water will pool where you want it to and allow the paint to disperse.

Learn more about water control here.

Time-Lapse Chocolate Bunnies Sketch

This is a time-lapse of a sketch that took about 25 minutes in real life.

It was much easier to start with the Zebra Fude Brush pigment ink than other direct sketches I’ve done without the guiding lines.

I started with too much water, so it took a longer time to build the darks.  I normally like to start with heavy pigment and wash it out to create form.  This resulted in a sketch that took a lot longer than normal, but was still such fun.

Time-Lapse Pomegranate

This is a direct painting of a pomegranate I cracked open, hoping to capture some of it’s intense red colour.  I also had to fight off the kids who kept wanting to eat my still-life set up.

I started quite deliberate and tight on the front seeds to make sure I captured the intricate light.  As I progress to the back of the painting, it gets looser with less definition.

It’s a challenge to leave whites, and if you lose them, you can always go over with some titanium white or gouache to regain your highlights.  Fine brushes help to keep paint away from the whites too.

This is still a work in progress and I continue to add darks to make it  really pop.

Daniel Smith watercolours on Saunders and Waterford High White paper.

Music: istockphoto.com/juqboxmusic

Charcoal Time-Lapse Playing Violin

Charcoal is such fun because it’s like sculpting.  You can add and subtract, build up and erase.  It’s also tempting to keep fiddling with it and never call it finished.  Indeed the breaks in the video are because I did exactly that. I kept on refining. And I refined again after filming stopped.

Once you get the basic shapes down, the fun is in pushing and pulling the darks and lights until you get something resembling a 3D representation.  The dramatic darks are what I loved about this picture, but the difficulty was in laying the charcoal down and trying to lighten it a touch, so there were still some graduatios of value.

I used willow charcoal and a 4B Generals charcoal pencil, natural chamois, a pan pastel shaper, and a kneaded eraser.  The paper is Mi-Teintes pastel paper.

Music: istockphoto.com/juqboxmusic

Time-Lapse Pure Caffeine

This was such a fun sketch to do, with no real pressure of time.  Approximately 30 minutes in real time. Sadly the video cut out two thirds into painting. I was so engrossed in it, I didn’t even notice until I went to edit it.  So here is the final sketch below.

Music: istockphoto.com/juqboxmusic

Pure Caffeine Final Sketch

 

Time-Lapse Rose Painting

This is a time-lapse of a fun sketch I did of a rose that looked more like a tulip.  It was so intriguing that I couldn’t wait to paint it.  Apparently, it wasn’t the healthiest of roses, hence the lack of petals, but it’s now immortalised and enjoyed, nonetheless.  Loving sketching these moments that will remind me of the love and care that my mother-in-law puts into her rose garden, and how fleeting the beauty of a flower is.

Music: istockphoto.com/juqboxmusic